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Siena Countryside

Brunello di Montalcino, 2012, olio su tela, cm 30x40
Brunello di Montalcino, 2012, olio su tela, cm 30x40
Buon governo, 2004, olio su tela, cm 70x100
Buon governo, 2004, olio su tela, cm 70x100
Crete senesi, 2012, olio su tela, cm 60x60
Crete senesi, 2012, olio su tela, cm 60x60
Finestra sulla Val d'Asso, 2006, olio su tela, cm 70x100
Finestra sulla Val d'Asso, 2006, olio su tela, cm 70x100
Grano e boschi, 2012, olio su tela, cm 70x100
Grano e boschi, 2012, olio su tela, cm 70x100
Grano maturo, 2012, olio su tela, cm 50x70
Grano maturo, 2012, olio su tela, cm 50x70
Il ritorno dell'airone, 2004, olio su tela, cm 80x100
Il ritorno dell'airone, 2004, olio su tela, cm 80x100
Lucignano, 2010, olio su tela, cm 30x40
Lucignano, 2010, olio su tela, cm 30x40
Luciniano d'Asso, 2002, acquarello su carta, cm 30x42
Luciniano d'Asso, 2002, acquarello su carta, cm 30x42
Montalcino, 2003, acquarello su carta, cm 25x36
Montalcino, 2003, acquarello su carta, cm 25x36
Montalcino, 2010, olio su tela, cm 30x40
Montalcino, 2010, olio su tela, cm 30x40
Monte Amiata, 2012, olio su tela, cm 30x100
Monte Amiata, 2012, olio su tela, cm 30x100
Monteroni che sta sulle Balze, 2012, olio su tela, cm 50x70
Monteroni che sta sulle Balze, 2012, olio su tela, cm 50x70
Ocra gialla, lecci scuri, vigne luminose, 2012, olio su tela, cm 50x70
Ocra gialla, lecci scuri, vigne luminose, 2012, olio su tela, cm 50x70
Pieve di Pava, 2003, olio su tela, cm 100x100
Pieve di Pava, 2003, olio su tela, cm 100x100
Poggio Rinaldi, 2007, olio su tela, cm 100x100
Poggio Rinaldi, 2007, olio su tela, cm 100x100
Poggio Rinaldi, 2010, olio su tela, cm 35x50
Poggio Rinaldi, 2010, olio su tela, cm 35x50
Rapolano, 2010, olio su tela, cm 35x50
Rapolano, 2010, olio su tela, cm 35x50
Sant'Anna in Camprena, 2012, olio su tela, cm 50x60
Sant'Anna in Camprena, 2012, olio su tela, cm 50x60
Tenero verde, 1995, olio su tela, cm 70x100
Tenero verde, 1995, olio su tela, cm 70x100

    I'm often asked why I paint both abstract landscapes and realist ones. In fact, when I paint a landscape, I would like to represent what and how I feel rather than just what I see. What I would like to represent is the feeling of well-being that I feel, sometimes this is reflected in an abstract painting, other times it is better reflected in a realistic one.
    The ancient Chinese philosophy asserts that all people and things have an energy that is called QI, this energy can be positive or negative, IJng or Yang. The situation is wider than this, but I believe that even the landscapes that have this energy and those of the Sienese countryside emanate a positive completely energy.

    The landscapes around Siena are always different and always beautiful: they are green in spring, when the grain is ripe they become yellow and ocher, then they turn gray. But the feeling of beauty that you feel is more due to the work of the man who, over the centuries, has improved.