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Mutation

Mutazioni, 1994, vernice su tela, cm 60x70
Mutazioni, 1994, vernice su tela, cm 60x70
Piccola mutazione 3, 1995, olio su tela, cm 30x40
Piccola mutazione 3, 1995, olio su tela, cm 30x40
Ting, 1995, gouache su carta intelata, cm 56x76
Ting, 1995, gouache su carta intelata, cm 56x76
Senza titolo
Senza titolo
Hsieen l'attrazione, 2004, gouache su carta intelata, cm 56x76
Hsieen l'attrazione, 2004, gouache su carta intelata, cm 56x76
Mutazioni 94, 1994, gouache su carta, cm 56x755
Mutazioni 94, 1994, gouache su carta, cm 56x755
Silenzio, 1993, gouache su carta intelata, cm 56x76
Silenzio, 1993, gouache su carta intelata, cm 56x76
Mutazione ocra, 1993, gouache su carta, cm 57x76
Mutazione ocra, 1993, gouache su carta, cm 57x76
Piccola mutazione 10, 1995, olio su tela, cm 30x40
Piccola mutazione 10, 1995, olio su tela, cm 30x40
Piccola mutazione 1, 1998, olio su tela, cm 25x35
Piccola mutazione 1, 1998, olio su tela, cm 25x35
Mutazioni, 1994, gouache su carta, cm 55,5x75
Mutazioni, 1994, gouache su carta, cm 55,5x75
Senza pentimento, 2003, olio su tela, cm 70x100
Senza pentimento, 2003, olio su tela, cm 70x100
Mutazioni autunnali R A, 2003, olio su tela, cm 80x120
Mutazioni autunnali R A, 2003, olio su tela, cm 80x120
Novembre, 1996, gouache su carta, cm 57x75,5
Novembre, 1996, gouache su carta, cm 57x75,5

    The discovery of Chinese culture had a notable influence on me; its search for the just and perfect that is in us. With my paintings of this period I have tried to describe through signs the repetition of days which seem unchanged but are actually made different the one from the other by the variations of the Yin and the Yang in each of us and in the reality we live in. Facts interlace, a casual encounter provokes an ocre spot whose effect will slowly fade away or maybe completely change the picture.
    There is something obsessive with the passing of days which is represented by the repeated sign. Repeated, yes, but always different because the context in which our monotonous day is placed is also different, as well as ourselves and all that happens around us.
    Being able to read discontinuities allows to deal with them. Being able to represent them will help us understand better. Through the repetition of a movement, apparently always the same one, a further contribution of knowledge to the way towards perfection is given.